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- (Page .15 of 20) Get Sectioned with Freud & Jung 15[01]
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[10] ~ (Press to) PLAY this PAGE ~
SCROLL for CONTINUED Commentary...
Film First Published ~ Saturday 12 August 2006 ~ Please scroll down to read the written ~ Download Adobe Flash Player [HERE] ~ Get Sectioned with Freud & Jung 15[01]
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[10] ~ BREAKDOWN-PSYCHO'S ANALYSIS ~Jung's
plums are Original Promo' Video for Alison Moyet's "Invisible":
|
Jung's plums are
~ Out of sight ! ~
...................(invincible)...
...if not (in)Vince
Clarke-able
which would, I suppose,
be laughable.
Live on Stage, Alison Moyet
Explains Why She Won't Sing "Invisible"
No <plummy accent>
has sent the scented
rose
of verbose prose
: purple.
The empurpled :
-----> DRIVES its diagnosis <-----
...is a (not knotted) line not to neglect.
...........Not a hairline........or
a....
..................Herr Line......
or a....
........................~ Line
of Cocaine
~
Alison Moyet's complete .appellation.
is : .Geneviève.
Alison Jane Moyet.
Her .foremost
forename. is indicative
of the fact that, like the <.same-name.>d
car-star,
(Kay
Kendall (not Kay
Starr-))
co-star -
ruling rôleing rolling
(w)<hol(e)y)
(not Roller>)
(coast(er)(-to-coast-to-city-(at-cost)))
-
of the 1953
.film.
:>> .Genevieve.
<<
(the (.title.'s)
accent
is clipped
- as are
the (might-as-well-belong-to-the-Titled)
<~ stiff-upper-lip
~ped> accents),
a 1904 Darracq,
she is, in part,
(if not in (spare
(tyre))
parts)
of
.Fr..en..ch.
extraction.
Belt-less
."Geneviève"
Moyet. appears
effortless in her capacity to <BELT OUT>
in-tune
.songs.
to fans.
Fan-belt-less
veteran, .Genevieve
"Darracq".
oft' seems in need of some ~ tuning
up ~.
For.tun.at.e.ly, the late Larry Adler (not Alfred Adler)
is at hand
with his mouth
organ and
the composition
(and composition)
of a
Maestro
(if not a Maestro).
Larry Adler Plays His Own Score from
the Film : "Genevieve" to this Montage
of .BLACK
& WHITE. Stills
Shot During
the Making of the Movie :
We have now witnessed a
.BLACK &
WHITE.
unSilly
Cow who never
~ blows her own ~
"Hooter"
and an .actress.
(shot) in
.BLACK &
WHITE.
who,
((?) Kay
Kendall THAT's who)
~ if the rôle calls
(not the <Roll
Calls>.
or the
<Roll
Cage <calls>>)
for it ~
DOES.
Someone else who
~ blows his own trumpet ~
~ Out of sight ! ~
at this site...
is the
dazzling dizzying
Dizzy Gillespie
who
[TAKE NOTE !]
gives .notes.,
((~ little-by-little
~)
never belittled)),
surround(sound)ed
by
.Little.
(and Large)
(not "Little
and Large")
.Angels.
at the end of the
Mozartian Mondegreen :
"Day Of(f) Wra(i)ith - Mozart with the Mo(i)st (')art".
You could [TURN OFF] via
the link
(not Link)
above or, in the words of
Jimi
Hendrix, al[TERN]atively
"Keep
on Straight Ahead,"...:
"Straight Ahead" - Jimi Hendrix
Live at the Atlanta International Pop Festival
...dodging (if not Dodge-ing)
getting caught
in the "Crosstown Traffic" unless it is the
(covered and covering) "Crosstown
Traffic" of
THIS stratospheric <Master of the Stratocaster>
:
"Crosstown Traffic" by The Lemons' Guitarist :
to soon see further
".Little
Angels." plus ".Little
Angells."
(and their father...a ".little."
farther on)...
DRIVES
really
(wheelie ?(?))
.ref.ers
to
(the surges of)
Freudian urges,
the DRIVES
that drive us to
~ drive ourselves (mad
~
(or sane (or to the
Seine
(driving (driven)
(on drives)
".too
much in the sun.",
([Too Much !] a [Too
Much !]
"To
be or not to be,"
only (undone) ((non-Don,)
non-Donne)
son
or in (.aura.-ed)
(or <read : red>)
(awe of)
the (reign of the).driving
rain.)
to
~ drive (to drink ~)
(to
~ drink and drive ~)
(to think and thrive)(to sink and skive)
to .ref.lect
that this...
...is...
...~ [Too Much !]
.................................................TALK ~
And perhaps we should walk
Helen Shapiro -
"Walkin' Back to Happiness" (1961)
(and not drive)
"...back
to happiness"
and a
(Mama)
cassette Walkman
(plum not Pearl
jammed),
"Jam"ed
and >>jammed<<
by jarring, .jamming.,
(not (jammy-)Jean
Michel Jarre-ing)
big-haired heirs
to .air-guitaring.
:
"Little
Angels"
whose .tune.ful,
"Too
Much, Too Young"'s
gleaming streaming
[HEAR
HERE !]
(Pray !)
lets us
.ref.lect
on
maxing relaxing
to avoid a Freud
who is
[Too Much !] too
Jung.
Whilst
~ "[Too Much
!] TALK" ~
might (~) drive
Freud
and Jung
(to distraction (~)
and) to
<SHOUT OUT>
the
<squirmin' .German.>
:
"Nien ! Nien ! Nien !"
whose
<homophone on the telephone>
makes a
"No." of "No"
(Know no "no!no!")
YOU need not dial : 999
to
~ [STOP !]
the madness
~
(if not "(The)
Madness") ;
YOU can "Dial Midnight"
and <know a .show.>
that's .cool.
to call
(and .cool.
to call
(at a ".cool."
.10p.
<per
m(afrost)><inu(i)t>e))
(:)
"More Wendy Lloyd than Sigmund
Freud":
Little Angels
Perform : "Too Much, Too Young"
(not [Too Much !]
(and not to Jung))
on London Weekend Television's
"Dial Midnight" (circa 1993) :
From the studio album "Jam",
Little Angels'
"Too Much, Too Young" - Official Music Video (1992)
:
N.B. In [NO WAY !]
are the "Little
Angels"
affiliated with "The
Little Rascals", neither
has their line-up
ever included "Little
Hans",
"Little
Jimmy Greaves", "Little
Jimmy Osmond",
"Little
Eva", "Little
Richard" or "Stuart
Little".
Hmm..."Stuart
Little" - (')E.B.
White
(and not only if you dip 'im in .sugar.).
Move your mouse
(not Elwyn's
moving mouse)
and click
[THIS]
for a
.LITTLE.
more about more .LITTLE.s.
If you have been before to Pages 5
and 4,
(then) this this that is THAT "[THIS]"
(Drat Dis (Dis Dat))
will be a .ref.resher...
not a sure [PRESS]
but : [NO PRESSURE
!]
(and no no Tyre
Pressure).
With the knowledge that E.B.
White .wed.
Katharine
Sergeant Angell and that their issue were,
arguably, .Little
Angells., let us ~ press
on ~
~ "Onward
and Upward" ~ to Page
16 (of 20).
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